Emily Dickinson in Oxford 2010
The Emily Dickinson International Society (EDIS) will hold its 2010 international conference at the Rothermere American Institute, Oxford University, England, August 6-8. Through this blog we will be reporting on the congregation which features new scholarship on biography, her manuscripts, and her reception around the world. By dwelling in this Possibility, you can virtually join us!
Wednesday, August 11, 2010
Conference: Day 3
The last day of the conference
wrapped up with two different
sessions, comprised of six different themed talks in the morning. After another deliciously catered lunch, the remaining hours of the conference included the annual member's meeting that was welcome to all conference attendees. There, society issues were discussed, and news of future EDIS conferences was announced, including the next annual meeting which will be held in Amherst, MA. Following the completion of the member's meeting, incoming president Martha Ackmann thanked retiring president Paul Crumbley for
his dedicated years of work and commitment. She then presented him with a gift: a piece of art created from Dickinson's Homestead, as a git of thanks and apprecation. The conference ended with many thanks, lots of hugs, and excitement for the next, annual Dickinson event.
Reception at Blackwell's Bookshop
Conference: Day 2
The second day
of the conference, just like the first, was a great success and a lot of fun. The day began with a live video presentation with one of the Plenary Speakers, Paul Giles, giving a talk entitled "Evolutionary Enigmas
and Colonial Equations: Dickinson's Transoceanic Geography". This was followed by a talk given from the second Plenary Panel comprised of Joan Kirkby, Vivian Pollak and Jed Deppman. Based on the conversation that followed, I know it was a thought-provoking and engaging panel of speakers. After lunch, there were several different and
interesting sessions available for conference attendees. I was able to sit on a session, organized and chaired by Geoffrey Schramm, entitled "Manuscripts: Dickinson in Pieces", as well as a session chaired by Cindy MacKenzie called "British Connections: Solitude and Suffering". Both were well attended, very interesting, and came with great conversation after. Overall, the second day of the conference was just as engaging as the first. After the day full of talks on Dickinson, conference attendees were headed for a reception at the Blackwell bookshop, located on Broad street.
Saturday, August 7, 2010
Conference Photos
Because there's way too many pictures to post on the blog, we've uploaded them to EDIS' Facebook page for you to see. Check them out here (and tag yourself and others)!
-Rebecca
-Rebecca
Reception and Banquet at Oriel College
-Rebecca
Conference: Day 1
It's said Emily didn't like cats; I can't imagine she'd be too happy to have this visitor trying to sneak into her conference...
-Rebecca
Friday, August 6, 2010
Edie Campbell 'Emily Dickinson & I'
The play is the story of her journey to write and perform a piece of work that shows the true nature of Dickinson, without being the sort of "playwright [that] puts words in the poet's mouth" -- an admittedly difficult task. Campbell's story is an interesting one; and I suspect many conference attendees are able to empathize with Edie's personal discovery, long-term relationship and eventual love affair with Emily Dickinson. Campbell interweaves her own personal struggles and inspirations
alongside Dickinson's poetry, life-story, and letters, bringing forth a united story of two women and the power of the written word to both connect and affect one's essence in the world. That said, what probably moved me most was her observation (and I've seen it is a recurring one throughout many of the conference lectures) that Emily has an unnerving and powerful ability to distill things down to their essence. In fact, it seems, by the end of her days, she was a master of this.
With Emily to guide her way, Campbell, in her creation and performance of "Emily Dickinson and I", is able to "Comprehend the Whole --", and unites the poet with the stage. It was truly a great performance.
"Emily Dickinson & I: The Journey of a Portrayal," was devised by Jack Lynch and Edie Campbell, directed by Jack Lynch, and performed by Edie Campbell, LynchPin Productions Theatre Company. Tickets for this production may still be purchased at the Theatre Box Office.
The Burton Taylor Studio (Gloucester Street)
Wednesday Aug 4th, 8:00 pm
Thursday Aug 5th, 8:00 pm
Saturday Aug 7th, 8:00 pm
Sunday Aug 8, 2:30 pm
With Emily to guide her way, Campbell, in her creation and performance of "Emily Dickinson and I", is able to "Comprehend the Whole --", and unites the poet with the stage. It was truly a great performance.
"Emily Dickinson & I: The Journey of a Portrayal," was devised by Jack Lynch and Edie Campbell, directed by Jack Lynch, and performed by Edie Campbell, LynchPin Productions Theatre Company. Tickets for this production may still be purchased at the Theatre Box Office.
The Burton Taylor Studio (Gloucester Street)
Wednesday Aug 4th, 8:00 pm
Thursday Aug 5th, 8:00 pm
Saturday Aug 7th, 8:00 pm
Sunday Aug 8, 2:30 pm
For reviews and Margaret Drabble's forward to the published text, see www.lynchpinptc.co.uk
-Rebecca
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